Monday, December 10, 2007
Things to catch up on:
Trip to Texas
Jonathan Coulton concert
...I think that's everything. Just so you can call me on it when I don't actually manage to get around to it.
Saturday, November 17, 2007
Thursday, November 15, 2007
Monday, November 5, 2007
More on that later.
I can die happy. I have made the most delicious thing known to man. This bread... my whole apartment smells of yeast and cinnamon... it's cooked perfectly all the way through... I just can't take the deliciousness. Holy crap. Just... holy crap. I win at everything.
Additionally, bread dough, when it's being mixed, is really pretty evocative of some kind of diseased internal organ. As you add flour to it and stir, you develop these flattened lobes that don't mix because they're floured, but press together, kind of like the lobes of a liver or a lung. And the pasty color and yeasty smell (otherwise pleasant when you aren't thinking about organs) really add to the effect. That said, I wish my liver smelled like fresh bread. I can't imagine it would change any facet of my life at all, or even be noticeable, but it would be a cool thing to know.
Current word count is 6,264, but it's early yet.
The latest word count is 6,072. I'm only 600 words behind now, and that's pie. I can take care of that tomorrow, and then I'll be "sitting pretty," as Cary Grant said so many times today when we watched His Girl Friday. The wind has kicked up outside, and I can't tell whether it's raining, or just the rustling of dry leaves. The patterns on the binary clock that sits on the bookshelf are mesmerizing; it still says 5:08, because we haven't changed it yet. We didn't know what time it was until after 11:30 this morning.
The living room looks much messier in the dark than it actually is. Lots of things on the floor and on low shelves have little LEDs, and show up brightly. The streetlight comes in through the window, filtered by the tree outside, and makes shadows where there shouldn't be. Wires on the floor show up thick and tangled, and you have to be especially careful not to trip.
I just finished reading John Steinbeck's The Pearl, and I can't get the ending scene out of my head. Might be why I can't sleep. It wasn't a happy ending.
The tree branches are tapping on the windows in the living room, and the red lights of the binary clock are reflected in the glass. It's like something out of a horror movie, all red glowing eyes and ominous sounds, come to eat you. The banging radiators aren't helping. I never knew about radiators, because we don't have them at home. I had never seen one until I came to college. They're nice, in a feline kind of way, in that there's a discrete source of warmth that you can cozy up to if you like. But I'll never be used to the way they gurgle and clank. Nothing that resides in a room where I sleep should make me believe that it's going to blow up someday. As a general rule, I don't like things blowing up in my bedroom, but that hasn't stopped them in the past.
I'm really pretty tired... my brain is shutting down and my eyelids feel heavy, but I know that as soon as I close my eyes, my mind will start running around in circles. I'm using the metaphor of a roulette wheel for this kind of thing in my NaNoWriMo novel. I have yet to decide whether it's a good or a bad thing, but I think that's more in the way I use it than anything. So far it's been working well, even if it is kind of a stupid idea.
I want to make bread again soon. I don't know if I have the yeast, though... I'll need to buy more. I made jalapeno cheese bread for the Texas dinner, and it turned out perfect - except that it wasn't cooked all the way through the middle. It was almost my greatest cooking achievement, and it finally taught me what I'm looking for when I knead dough. Always good experience to have. Ah, well. Try, try again. It's probably the most balanced bread recipe I've found, in that it makes one loaf with not-unreasonable quantities of flour. I might leave out the jalapenos this time, for the sake of simplicity, and just put in cheese.
Anyway, I've been typing now for... 18 minutes. I'm going to venture back to bed and see if I'm any sleepier. Madcap ramblings are good for the psyche, I guess.
Oop, 19 minutes.
Sunday, November 4, 2007
The Texas dinner turned out brilliantly. The chili was delicious, the pie was tasty, and I've even got a bunch of leftover tortillas and refried beans (yay!). The attendees enjoyed themselves, and we all sat around drinking Mexican beer and chatting away. That kind of community, just having a mass of people around enjoying each other's company, is something I love. Good food always provides that opportunity, though - people will flock to a free meal. I'm really pleased with how it turned out... I just wish that there had been more chili left. :-) I'll have to make it again sometime. Perhaps in a smaller quantity; I won't be making a huge group dinner again anytime soon. I cooked for several hours the night before, making things that didn't need to be fresh, and woke up at 9am to cook the following day. I finally finished at around 4:30 pm. It was intense, but I really enjoyed the work. Cooking, just for the sake of cooking, provides a surprising sense of satisfaction.
I'm afraid I may be making shortish posts in the near future, due to potential writing fatigue or time constraints. I am, after all, trying to write a novel. But there will be pictures of my travels up in due course, and more travels to come soon, as I visit the Union Stock Yards and head down to Austin to be with my dad for a week. Until tomorrow, dear readership... And wish me luck!
Friday, November 2, 2007
Ah, well. I guess I can tell you what I've been skimping on lately.
Firstly, my Taste of Texas dinner is coming up this Saturday evening. I'm going to be serving homemade tortillas, cheese biscuits, jalapeno cheese bread (hopefully!), and perhaps cornbread. For the main course is a bowl of Texas chili, along with some sides of refried beans and Spanish rice for the tortillas - and perhaps some homemade salsa, if I can find tomatillos. Finally, the whole thing will be rounded out with homemade pecan pie, that ends up being pretty damn tasty, if I do say so myself. Nowhere near as good as Goode Co.'s, but that goes without saying.
Secondly, in my last post, I mentioned a couple of potentially dicey excursions that Jim is insisting on accompanying me for. I figure I'll give y'all some more details about those.
Union Stock Yards - there's a previous post on here that mostly explains my fascination with this.
South Campus Chilling Plant - I haven't mentioned this one yet. I developed a fascination with it when I would watch the steam rise from it every morning out my dorm room window. Lit by the sunrise from behind, and framing the Seminary tower, it's actually a pretty dramatic sight. I've been down there once before, but didn't photograph. It isn't far, and it won't be an extensive shoot, but it'll be fun.
U.S. Steel South Works - South Chicago and its surrounding neighborhoods near the Calumet river are a fascinating industrial center. The U.S. Steel plant used to be located right down here, but has been razed in favor of new industry and a lakefront park. Before it gets all prettified, I'd like to take some pictures of the industrial remains.
Chicago Sanitary and Ship Canal - another new addition that I hadn't mentioned yet. It's a fairly recent canal, built in 1900 to replace the old Illinois and Michigan canal, which is now a national park. I'd like to take a look at that too, but truth be told, I have little interest in prettified history - I like seeing the dirty side.
The Beverly/Morgan Railroad District - Also in South Chicago are a number of historic rail stations along the current Metra line. The place is also a tangle of old and abandoned industrial rail lines. You should be getting a feel by now for what I like to go check out, so let's just say I'll be wandering some roundhouses.
Pullman District - Pullman created a model town outside of Chicago that would be a production center for his luxury rail cars. It's a historic district now, and a lot of the buildings have been preserved. I'm hoping some of the industrial feel and factory style will be left; even if they aren't, it will still be fascinating to see the remains of a major Chicago industry and the source of the riots that may have burned down the White City.
Gary - A booming steel town, it has deflated a bit, leaving a lot of empty buildings for the photographin'. Also, Gary had its own Nike missile base, which is still intact. Chicago grew so fast and has so many concerned denizens that history gets cleaned up pretty well around these parts, and you have to look carefully to find what you want. But in Indiana, much like in Texas, there's a lot of open space, and people are less concerned about cleaning up abandoned sites. So my feeling is that I will find more interesting things here. Also, I have seen pictures of the Nike site, and it looks really cool.
Michigan City - there's a cooling tower here. No, it's not radioactive, it's just a water cooling tower, but it still looks pretty awesome, and I'd like to explore a bit. Also, I trust that Jim can probably guide me to some good old industrial sites, seeing as how it sounds like he has played paintball at most of them.
Well, that's all for this evening, I'm going to see if I can't get some shuteye. Wish me luck.
Thursday, November 1, 2007
Jim, worried about my safety, "graciously" "volunteered", by which I mean largely felt obliged, to go with me to some of my more southerly historical-photo-documentation sites - so those will be coming up when he and I have a free weekend together.
And finally, I shall be attempting homemade pumpkin pie, with the little gourd that has been inhabiting our windowsill for the past week. We'll see how this goes!
Awesome - all three of my current pursuits in one post.
Wednesday, October 31, 2007
Tuesday, October 30, 2007
The Chicago lakefront had two of these installations, C-40 and C-41. C-40 was located in Burnham Park, but C-41's radar towers and missile magazines were right in my backyard. The radar towers, i.e. the locating equipment, were situated out at Promontory Point. In pictures from the era, this looks really impressive. University students are playing Frisbee on what is recognizably the Point's central field, with the fieldhouse barely visible, and in the background are looming white flying saucers on sticks. I know the Point well and have clambered all over it, and as far as I can tell, little to nothing remains of this installation.
I had never, however, seen the area which used to host the launch sites and missiles themselves. After a lot of research - frantic tabbed browsing and Google Earth scrutiny - I sussed out exactly where the site was. As it turns out, it was on the shore of my lovely Jackson Park Lagoon, right across from the Wooded Island of World's Columbian Exposition fame. Now, this worked out surprisingly well, as there were a couple other items of interest that I had wanted to investigate out that way, so I grabbed the only roll of film I had and set out with my camera slung over my shoulder.
After meeting Jim for a quick lunch at the Florian, I took a walk east, and ducked south around the back of the Museum of Science and Industry. This building used to be the Palace of Fine Arts during the Expo, and was made permanent thereafter. It originally housed the Field Museum, which later moved to its downtown campus. Walking the back side of the museum really immerses you in the history of the location, as it's largely unchanged from what one would have seen in 1893. The boat landing still exists, although populated by a gaggle of geese today. The view toward the south, across North Lagoon and its bridge to the Wooded Isle, hasn't changed either. It isn't difficult to picture this spot surrounded by towering, bright-white Beaux-Arts buildings.
Past the MSI, after a little finagling at the water's edge while trying to find a way off the boat landing, I hit the path that would take me south to the military site. Along this path is a bridge over a small inlet. Not only did this bridge provide me with some nice views of the Lagoon and the Osaka Garden on the Wooded Island, it also happens to be the bridge on which the Blues Brothers confronted the Illinois Nazis. Now there's a valuable piece of history.
Anyway... past the bridge, I found the marked path through the Bobolink Meadow, the Parks District name for the area I was seeking. Perfect. The trail made for a pretty walk, and I ducked off to visit the water's edge several times. As I got towards the southern end of the meadow, I was keeping a closer lookout for signs of civilization. I wasn't expecting much, and not much is exactly what I got. The Parks District has been complaining to the Army Corps of Engineers for a while now that the underground magazines and fuel tanks are causing ecological problems in the lagoon - meaning the Army has done a bang-up job of making sure things look nice and neat up there. Most of the really cool stuff is belowground, and very few signs of a military installation remain. I did, however, locate the pipes that JPAC authorities complained were leaking into the lagoon - sandard corrugated metal, nothing special, but the knowledge that they connected to underground concrete magazines makes them much cooler. A wet shoe and a leaf down my pants later, I had taken a few good snaps, reloaded the camera, and was on my way again.
I followed the path along the shore a bit further, and came to a fairly well-beaten path heading toward the water. Following it, I came across one of the sampling wells that my research had mentioned. Three of them were drilled by the Corps, in the interest of monitoring the water in the magazines. I had managed to stumble across the cover of one of them. This was probably the high point of my expedition.
Other finds included - upon traipsing inland over untracked land - a drainage grate in the middle of a field, old chain-link and barbed wire fencing, and patches of bare concrete. Now, as I said before, these don't really qualify as anything impressive, but to my little archaeologist's heart, they might as well have been Tutankhamun's treasure. I was pleased to find anything at all, mostly because it meant that my researching skills had served me well, and I was looking in the right places. That, and the pure fact that I was looking at history.
On my way home, I made a pilgrimage through the Wooded Island, one of my favorite spots in all Chicago, and stopped off near the north end. In the western half of the lagoon is a funny-shaped tripartite island. I learned recently that this island is actually the replica of the Santa Maria, constructed for the World's Fair and sailed into the lagoon at the opening ceremony, where it was left even after the Fair's end. In the 1930's it burned and sank, and was left to rot, forming the island that is there now. You have no idea how exciting I found this piece of information, dear Reader, so I was compelled to at least take a look.
After my World's Exposition pilgrimage - one that must be completed at least once a quarter, usually just because I get the itch - I plunked myself down at Istria with Of Mice and Men until I got cold, where I actually received a phone call from Jim to make sure I hadn't fallen in a concrete hole and broken my neck. The faith that my public has in my coordination is astounding.
I'll post pictures when I have them, which should be soon. I have five rolls to develop, and need to go to Walgreens anyway for more film. Stock Yards excursion should be coming up this week!
Monday, October 29, 2007
Today, that itch hit me again. I had gotten fidgety with the imminent arrival of Halloween, and was looking up Chicago ghost stories - there are always good horror stories in a big old city like this one. South Side history is some of the best Chicago history to be had. This was the gritty part of town. Here, the immigrants lived and worked. Here, the smell of the slaughterhouses permeated daily life. In perusing a list of creepy locales, I hit upon a reference to Bubbly Creek, the southern arm of the Chicago river, which reaches as far south as 38th street. It bubbles to this day, because it was the closest waterway for much of the Union Stock Yards throughout their lengthy history on Chicago's south side. Blood and offal from the slaughterhouses were dumped into the creek, and decompositional gases are still forming, despite efforts to detoxify the creek. Few, if any, fish live there, and the majority of creek denizens are bloodworms.
Now that's a horror story if I've ever heard one. This prompted further investigation into the history of the Union Stock Yards. I even dredged up old maps of the area, read about the fire that took place there, and looked at pictures of the still-standing limestone entry arch - designed, I might add, by my beloved John Root of 1893 Expo fame. The area has largely been taken over by industrial warehouses now, which are a reasonable modern equivalent to stock yards. It's fascinating to see how things carry over like that. And the surrounding neighborhood that housed immigrant workers in the stock yards is still called Back of the Yards, and was the home of one of the first "neighborhood associations," to foster a sense of community. It's still an amazingly diverse neighborhood, and overlaps a bit with Pilsen, currently a Mexican community (but, in case you couldn't guess, started out German). This is precisely why I study Lower Egyptian Predynastic civilization. It's the subtleties of history, the things that get overlooked in favor of grandeur and glory, the gritty, functional, gory side of the past that I really find interesting. This week I'm going to trudge up to Pershing to see the arch, and maybe wander around the old Stock Yard neighborhood with a camera. I'll post pictures when I have them.
Sunday, October 28, 2007
Made for a pretty good weekend. :-)
Anyway, this evening, I decided it was time to attempt breadmaking. I wasn't sure what to expect, and I think I goofed it up a bit, but it tastes okay - especially with butter. I just chose a very simple white bread, but the recipe called for 2lb of flour and only 2 cups of milk. I had trouble incorporating the flour, and I didn't even manage all of it. The fact that the dough was so stiff made kneading hellatious... I kneaded for half an hour, and still didn't quite get the "smooth and elastic" that they always tell you to look for. So the bread is a bit dense, but the apartment now smells of yeast and other warm breadly smells, and I have fresh tasty bread that I can toast and eat for breakfast tomorrow morning. I can't really complain.
I think, as I finally managed to pick up confectioner's sugar and extra cocoa, that I will make Texas sheet cake for our showing of Heroes tomorrow night. Thus far, I have had a history of feeding the folks that come over to watch it with us, and I'd like to continue it. I think that what it boils down to is that I like making people comfortable. So for anyone that ever needs a good home-cooked meal: c'mon over!
Thursday, October 25, 2007
Wes Anderson: Your creation is what you want it to be. It doesn't matter if it's not self-consistent or doesn't make sense; you want it to look a certain way for a reason. Keep card catalogs in a computerized library. Who cares?
Virginia Woolf: Who needs plot? Write whatever you want. I wrote about a dying moth, for God's sake.
Dr. Tricia McFarlane (D-Mac): Make it visceral. Make it uncomfortable. Make it squishy and gross and awkward and shocking and real. Also, when talking about it, make faces and do voices.
Ken Kesey: You're only putting me on this list because you're reading me right now. That said, make no sense! Make the crazy similes and metaphors that occur to you. I took acid to help me, but I guess that's not strictly necessary. Now stop dodging and start writing.
One night in Chicago a hot city wind blew
And whispered a word to a woman that I knew
Bare feet on bare floorboards
In silence she walked
Towards the call on the air,
Down cold stairs, out her door to
Is filled now
With the crinkle of leaves
And the falling of seeds
But still empty
The streets in
And out of the haze, a station to meet her
The tracks stretched away in
Thin stitches hemming the lake
Through the trees, she could see her
With the whistle of trains
And the echo of rain
But still empty
The path from
The steel curving eastward was glimmering wetly
Rough stacks towered stoic
Beyond shifting boughs
Megaliths belching steam
To the sky, in sweaty
With the chapels of industry
And the racket of nature
But still empty
The sound of the train bell rang out in her haven
And faded as it pulled away from the station
Bare feet on wet pavement
In silence she walked
Through the humid night air
Up rough stairs, crossed the porch to
Curled into your dreams
But this dream is mine
And not empty
Angst drives it. Now, if the artist is lucky, that angst goes away. If the audience is lucky, it doesn't. The art dies with the angst, you see. By middle age the artist finds himself watching his old films and trying to make ones that sort of look the same, or trying to make films his children can watch. It gets bland."
Deep words, from humor site Cracked.com. This was unexpected food for thought. Cracked is one of those sites that creates (admittedly really damn funny) top 10 lists, among other things. They make the front page of Digg pretty frequently. This particular quote came from the article "The 10 Best Sci-Fi Films Never Made," and refers to George Lucas' well-known decline. These paragraphs caught me off guard; I was bored and killing time between classes, and out of one of the more mindless things I was perusing jumps a deep(ish) analysis of art. Granted, this idea has been explored before, and tends to be one of the tropes we fall back on when talking about artists. But the contrast in the second paragraph is really what struck me.
So many artists used their struggles to temper themselves and their abilities. Conflict drives creativity, that much is clear - it fills you with something too big for yourself that you have to spill out somehow. But is this in the artist's interest? At first blush, it looks like the community profits from the pain of its most isolated individuals. By witnessing the struggle of others, we feel validated. Art is, to use a cliche, a mirror. In it we see elements of ourselves, things that we have in common with the artist - or at least that we think we do. We don't feel isolated anymore. Parts of us that we may not even have known were there are brought to light, brought into the fold, merged with human experience. But do acceptance and success for the artist remove the source of the art?
Yes and no. Conflict and pain always exist in life: "Life is pain, highness. Anyone who says differently is selling something," to quote a famous man in black. And while there may be nothing new under the sun, art is like language: an infinite number of combinations from a finite set of elements. We keep reaching outside ourselves and our experiences, retooling, retelling, tilting that mirror at a different angle to show the dusty back of what we thought was a tired concept. So I think the above quote has its merits - if you pigeonhole yourself, like George Lucas did, and try to create from the same conflicts beyond the point where they are visceral and painful for you, you will come up empty. But reaching further and writing about the conflicts that you actually need to resolve or release somehow - therein lies art.
Wednesday, October 24, 2007
I have returned from the depths of anxiety- and stress-riddled existence to blog to you, my loyal (and imaginary, at this point) readership once again. Seeing as I am now on academic leave, I will have a lot more time to blog, so I'm hoping to actually turn it into something worthwhile, and to have a post up every day. Ideally it will not just be "HEY LOOK THIS IS WHAT I DID TODAY". I hope to actually post meaningful and interesting stuff.
In that vein...
One of my biggest goals with regards to my free time is to get better at cooking. Now, I don't just mean making tastier food, although that is part of it. I mean getting into the habit of piecing meals together well; making healthy, filling, satisfying food that's paired nicely. Creating meals as a unit, instead of just a bunch of different foods on a plate. Since obtaining my own kitchen, I have developed a passion for food, and a deep appreciation for its role in culture and community. If I'm feeling particularly homesick, I can comfort myself with good Texan food. I can provide a cozy and inviting environment for guests with a plate of cookies and some tea. Food seems to me to be one of the most visceral cultural markers. The right food makes us feel at home, whereas even if it's only the slightest bit off, we notice, and that sense of comfort is lost.
Apart from this, I love feeding people. It's something concrete that I can do to make others' lives better, and it's very simple. Food needs a sense of community to it. That's probably the Southerner in me, always trying to make sure folks have eaten, but I hate cooking for myself. I want a kitchen full of people, helping, singing, making noise, and enjoying whatever it is I'm making.
Because of this, I will be having a massive dinner party in a little while, largely for the purpose of introducing my friends to the joys of Texan food. There will be chili, tamales, and pecan pie. It will be AWESOME. I think fall gives me energy, because I definitely would not pursue something like this at any other time of year. I love the smell of autumn in the air, and the crispness. It seems to have finally gotten cold for good, and so I made cider this evening, a la home - I love the bobbing orange with the cloves stuck in it. I took my time putting the cloves in - a good twenty minutes. The sharp smell of the cloves and the sweet burst of orange scent every time they pierce the rind is definitive of autumn, Thanksgiving, pumpkin pie, and family for me. My index finger still hurts from shoving those damned things into the peel, though. The orange, plus the addition of some mulling spices, made for a warm, rich, sharp cider that doesn't have any of the sticky sweetness of the original mass-produced apple juice (which I had to use; I didn't have a choice, so don't judge me!).
Now, I sit here with a nice hot mug of the stuff, singing to the Beatles and watching my roommate sew herself an incredibly cool-looking red winter coat with a polka-dot lining. Sweet. I'm out - hopefully tomorrow's post will be more coherent, and less distracted by Beatlemania.
Wednesday, May 16, 2007
Those of you in my Language Myths and Realities class will recognize this topic. Can a language be more or less primitive than another? It's a trickier question than you might think. It calls into question what we mean by "primitiveness", and what characteristics of language make it well suited to expression. One of the most fundamental commonalities of language, thought to be universal, is recursion: i.e., what makes it possible to create infinite utterances out of a finite set of acceptable combinations. This is basically a function of embedding. "I saw the cat." "He said I saw the cat." "She implied that he said I saw the cat." Et cetera. Now, what do we do with a language that doesn't have recursion? Piraha, a unique South American language with at most 200 speakers, doesn't appear to allow recursion. In fact, some researchers have suggested that the cultural environment of the Piraha people does not allow for discussion of subjects outside their own direct or 'second-generation' experience. Does this make it any less of a language?
I find this topic really, really interesting, so I'll elaborate further on it when I am less about to fall asleep on the keyboard.
The whole thing is an infernally complex issue. And from a practical standpoint, she's right - as things stand, there's very little more that we can do beyond drilling safety measures. It still feels to me like treating the symptom rather than the problem, though. In a positive sense, we do have to base policy on a certain amount of mistrust. But in a normative sense, to what degree should that be the case? And how much leeway do we even have to change things, to make them more closely align with what they 'should' be? Should we even spend time considering the ideal construction? To me, it seems as though we just end up patchworking policies together, and they wind up being more restrictive than helpful - and when the time comes, as Elizabeth says, the defensive strategies work far better than the preventative ones ever will. But this seems to indicate that we need a rewrite... I'm just not sure at all what it would be.
Tuesday, May 15, 2007
From what I hear, although I can't find much information on the subject, England is really cracking down on the non-therapeutic use of antibiotics. In the United States, antibiotics are frequently included in the feed for food animals, making them breeding grounds for superbugs. The food animal industry and the pharmaceutical companies both wield a fair bit of clout on matters of FDA approval, it seems, and have been blocking antibiotic restrictions at every turn. The Wikipedia article that I linked has a fair bit of information on the subject.
The reason that I bring it up, though, is because on Monday, while hanging out in my boss' office, the executive director of the department walked in. She reported that we were getting complaints from students about the state of the keyboards in the computer labs - that they were dirty or unsanitary. So she had ordered a large quantity of antibacterial "stuff", and wanted a request put in to Facilities that the keyboards be cleaned with it every night. Now, as soon as she walked out of the room, my boss and I looked at each other in horror. This is exactly the kind of thing that is causing resistance problems. I'm kind of surprised that our executive director was unfamiliar with the issue - it seems like it's been fairly high on the list of concerns in educated circles. So yes - watch your use of antibiotics and antibacterials. The more people know about how these things actually work, the better chance we have of triumphing over the tiny little terrorists.
On a side note, I can hear Arabic chanting outside my window. Weird.
Monday, May 14, 2007
Also - if you were curious - the title is a reference to Percy Bysshe Shelley's "Ozymandias":
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.
Right, so... self-deprecation is one of my favorite pastimes. :-)
Today's topic, courtesy of John (and my morbid curiosity), is mass murder. Here's the article that set me off on it:
Off to a running start, eh? Honestly, I don't know what these teachers were thinking, but I'm sure that's what everyone is saying. Who thinks it would be a good idea to scare a bunch of eleven-year-olds to death? I can understand the desire to impress upon the kids that it's a serious situation and should be addressed as such. Still, in my experience, if you talk to kids repeatedly, they listen. They may goof off during a drill, they may make jokes... but when the real situation comes up, if you've given them the tools to deal with it, they will know how to respond. They'll be safe. With the tactic that these teachers employed, you condition kids to doubt you in dangerous circumstances, and that helps nobody.
On the subject of doubt - mass murders really force us to examine just how trusting we are of other people. We have laws and rules, but when you come down to it, society really is contingent on everybody being reasonable. Our default, even in dangerous or frightening situations, is to give people the benefit of the doubt. After reading the BBC article above, I decided to look up a bit more information on the Virginia Tech shootings - the largest mass murder in American university history - which then led me to what had previously been the largest, the UT tower sniper shootings. It's really rather impressive what we will let a person get away with... Two students, a couple that had been out on the observation deck of the Tower, came back into the reception area to find Charles Whitman standing next to a bright red pool, a rifle in each hand. Just previously, he had knocked the receptionist unconscious and hidden her body; she later died. The students had a brief conversation with Charles, and then left unharmed. They later stated that they thought the red pool was varnish. There was no record of them calling the police.
Now, I'm not saying that we should be paranoid. On the contrary, I take an absurd sort of gratification in the fact that people, as a rule, trust each other to this sort of extent. But it's interesting to think that fifteen (sixteen, if you count the unborn child) people's lives could have been spared, hinging on this one tiny action. What-ifs are never productive, but this sort of thinking serves as a reminder for just how dependent we are on people behaving as they ought. When one person decides to exploit the holes in the system, the results end up being pretty shocking. What's more, we know that people are capable of this kind of thing, and yet we still can't process that someone would so blatantly flout the accepted rules of conduct and instead engage in massive deceit and wanton violence. I think it's this feeling that inspires people to cry "What if, what if" and insist that stricter policies could have prevented these outrages. It's this sort of observation that prompts people to direct their attention to entirely the wrong things - lockdown strategies being the best example, in my mind. Human beings just don't seem to be well-wired for this kind of detection.
Rather, the focus should be on treating the problem at its source. Or sources - because there seem to be a lot of them. Tighter gun control, whether or not it's made completely illegal, is a good place to start. Psych evaluations for people purchasing guns is not a bad idea, although finding a way to do it efficiently would be quite a feat. Better diagnosis and treatment of mental disorders is also key - the VT shooter was known to have psychiatric problems, and the UT sniper had a tumor in his hypothalamus, potentially pressing on his amygdala. This is pretty much my opinion in general; laws won't do much unless they're regulating people who are already willing to do what you say. If they're not, they'll find a way around.